I started with clearing out all the things that had accumulated in my studio but had nothing to do with my studio work. Things like all the stuff that didn't sell in my Mom's garage sale when she moved out of her house. Then there was all the stuff that got deposited in my space because someone thought I might/could use it. Newspapers and cardboard were the biggies; I stashed all that in the back room until I would have a chance to make a trip to the local recycle business.
All the sorting, giving away, tossing got pretty monotonous after weeks of it. I came across a paper scrap across which, years ago, I had scribbled the following quote: "Accept the place and time that you're found in and begin where you are." A little light bulb came on. I decided to take a break from the sorting, cleaning, etc. and start making some art even if there was "standing room only" in the studio at the moment. Looking around the crowded space, I decided to get two birds with one stone. I added a caveat to the art making: I would have to use materials already on-hand until said materials were used up.
So I started with tempera paint and paper. I made oodles of monoprints and transfer prints. Then it struck me that the tempera paint wasn't really taking up much space so when it might be all gone, I wasn't going to gain very much square footage back. That in mind, I consolidated all the water-based wall paints I had left over from mural jobs. Thirty-two one-gallon cans were replaced by two five-gallon buckets that stacked. Lots of floor space gained!
Next I eyed the newspaper mountain and stacks of cardboard and cardboard boxes. And that led to the art project I am currently working on. Vessels. Paper Mache vessels. Here are photos showing the in-progress stages so far. There will be four sets of three vessels each (total of 12 vessels.)
This first photo shows the start of a vessel. I determine what I want the completed vessel/vase profile to look like (factoring in the cylinder -- in this case I'm using empty cardboard oatmeal canisters.) I made this particular profile two inches taller than the cardboard canister by cutting two inches from another canister and attaching it to another canister. That gave me my middle-size vessel.
The canister I took the cut-off from was then attached to another canister for the large-size vessel. For the small vessel I simply used an unmodified canister. Using a template I made, I cut cardboard ribs (30 total for each vase) and hot glued them in place around the canister.
The second photo (below) shows one of the large vases with all the ribs in place and ready for covering with masking tape. I was tempted to leave one of the vases at this stage, as I find it a beautiful form to look at and enjoy how light plays across it.
In this next photo I have placed all three vase sizes together. The small vase is to the left of the large one (center) and already has several layers of paper mache on it.
Here is a photo (below) of one of the large vases with the masking tape, ready to put the first layer of paper mache on it.
Photo (below) shows the small vase with just a couple layers of paper mache on it. The cardboard ribs are still visible through the paper mache. It's a nice effect that will not disappear until I apply the final layer of paper mache.